The Wheel of Time Turns on My Mind

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The recent scandal surrounding a surprising and controversial pilot episode, and the resulting lawsuit filed against author Robert Jordan’s widow, Harriet McDougal Rigney, has definitely put the entire series back into the spotlight. Not since the series’ conclusion a couple of years ago has this much attention surrounded it, and my own attentions have returned once again to the stories that filled my late teens and most of my twenties with adventure, trial, mystery, and enjoyment.

As the story itself is concluded indefinitely, there is nothing else to expect from the long running series of novels, except a companion novel to be released later this year that will feature back story and information directly from Robert Jordan’s notes. This will be called The Wheel of Time Companion. Such a novel is indicative of the end game of this series. All that is left for fans to do is either move on if they can find something to fill the void, or investigate the layers of story and the innuendos that Jordan famously constructed into his storytelling in the most tantalizing ways.

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While the books purport to give us all the answers that we need, and certainly they do, they do not expose things with clarity. Instead, things are resolved and revealed by the actions of the plot, or through the limited perspective of the characters, and the true answers lie somewhere in the mix, dispersed in pieces and parts that only can be assembled by taking together several different threads.

In short, Jordan has woven a tapestry that is just as interesting to study in its construction as it is enjoyable to experience.

Much like the effect Tolkien’s The Lord of the Rings and other works has on me, The Wheel of Time’s lore can draw me in for hours. As someone who aspires to write, studying how the author assembled these things is akin to students of painting studying the great masters in Paris. When you can understand the strokes and patterns that are used, you can apply those techniques to create masterful works of your own.

While time has yet to decide if Robert Jordan will be considered a true master, he definitely ranks up there as an ambitious writer. Much like Tolkien, he left behind a legacy of copious notes from which could possibly be derived several more stories if someone were allowed to rummage through them and edit them into something concrete. Jordan himself even promised that there were two more books he could have written as prequels to the main series. His widow, who was also his editor, is now the ultimate arbiter of his estate, and her ensuing legal battles regarding the series’ conversion to either television, in the manner of Game of Thrones, or into some sort of movie series will likely overshadow any chance that other books that could be released.

What is ironic is that fans waited months and years between releases of the books to find out what happened next. Such a thing became an iconic feature of being a fan of The Wheel of Time. We all got used to having to wait interminably for the end, or at least the next tidbit of story that inched us closer. When the series finally concluded, I had thought that my days of waiting for any news on what to expect would happen with Rand, Mat, and Perrin would be over for good. Their stories are done. I know how it all ends.

Now, fans are once again caught in a flux of waiting as we now strain to discern what the series’ fate will be in other mediums. Will it make it to some premium channel like HBO or Showtime? Perhaps it will be a web series, something that has proven lucrative and effective. What sacrifices should we expect in such a conversion? How will all these legal proceedings affect any plans for any of this to happen? Once again we will have months and years more to see how this all will come to pass.

To wait for answers is the ultimate destiny of anyone who enjoys this series, it seems. The wheel of time turns and ages come and pass. While reading A Memory of Light seemed like the end, it was only one ending, as there are no true beginnings or endings. Paraphrasing Robert Jordan’s common description of time in his works shows just how true to life some of his work will always be.

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