Interstellar: A Review

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Released in 2014, Interstellar, a film by Christopher Nolan, is an epic sci-fi adventure in the vein of 2001: A Space Odyssey. Featuring award-winning special effects and a boundary pushing plot, Interstellar is sure to baffle the uninformed and enthrall the willing. But is it the kind of epic sci-fi film I would go for?

Let’s see.

• Special Effects

While I wouldn’t consider myself a slave to my vision, presentation is still important. Furthermore, if one is going to utilize computer graphics and other enhancements in film, they must look good. Nothing ruins the experience worse than poorly blended textures and rushed models. Interstellar earned its Oscar. The effects were beautiful, and the depiction of that black hole, at least the outside of it, was gorgeous. The real world settings used for the different planets still managed to look foreign, so nice work there as well. This was a feast for my eyes, which I didn’t realize were hungry.

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•Characters and Acting

The film was decently cast and well directed for the most part, but this movie wasn’t just about selling character drama. The astronauts all seemed scientifically professional if a bit too stoic when faced with new and frightening space phenomena. Anne Hathaway was a standout, but that’s no surprise. I wasn’t put off by any bad acting, but a few roles could have been enlivened so I wasnt immediately guessing who the background characters or the eventual casualties were from the get go.

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•Plot

This is where the movie suffered under my scrutiny. First of all, the pacing was off. While I admired that the very beginning showed us a deteriorating Earth rather than straight up telling us, I wish that same caution has been exercised in other places.

Having said that, some exposition was needed in places considering the highly conceptual science incorporated into the plot. That science was fun to see explored in a story like this. However, I felt the attempt to explain relativity and it’s effect on time was over-explained and lessened drama associated with its effects.

Furthermore, it was obvious to me that the that there were two main plots competing for screen time. One was the exploration of space, work holes, relativity, time dilation, ecological disaster, etc.

The other was Huey Lewis’ favorite: the power of love.

Yes, love.

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Love can cross time, space, worm holes, black holes, and plot holes.

Love can make future men seem like ghosts or monsters.

Okay, I get it.

I appreciate the attempt to fuse the themes of human nature with high science, but it just didn’t work for me here. Just when I thought the movie was over (and a decent ending that would have been), the love story took off and my disbelief was stretched more than spacetime at an event horizon.

Still, the actual ending want terrible, I just want expecting the movie to tear my focus from its attempt at pure logic, to a non sequitur shift to pure emotionalism. Interstellar isn’t the next 2001: A Space Odyssey, but it is a fun ride with a dazzling, if sometimes brutally blunt dash of science thrown in.

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